Winning proposal for the Riga Creative Quarter "Tobacco Factory":
The
Tobacco Factory quarter is to be developed as a creative quarter, bringing
together the opportunities of interdisciplinary education, creative
entrepreneurship, innovations and cultural activities. The Tobacco Factory is
to be adapted for the study process of the Latvian Academy of Culture and for
the operation of a creative industries incubator. The territory of the Tobacco
Factory will include premises of the Latvian Academy of
Culture, a filming pavilion, Latvian Academy of Culture
dormitories, the Riga Film Museum and the Latvian creative industries
incubator.
The
plan, facades and public space organisation clearly separate: (1) the
FILM/PHOTOGRAPHY building, joining the Riga Museum of Film and
Photography, the National Film School with the filming pavilion and the Cinema, (2) the
Latvian Academy of Culture building is connected
to the Library building via ground finish in the yard, (3) the
Latvian creative industries incubator is connected
to the Workshop block and the LAC building, (4) Latvian Academy of Culture
dormitories.
The conceptual axis of the creative
quarter is the Library of the Academy of Culture, supplemented with a
Bookshop/Cafe, a green roof terrace and an outdoors exercise machine terrace
(“healthy spirit in a healthy body”). The library as a repository of knowledge
is the best symbolic representation for the entrance into an education
institution. The Bookshop/Cafe is closest to Miera street, inviting passers-by
to glimpse the world of books.
The Cinema is intended as the anchor
point for public events in the creative quarter, enabling
additional student and public events related to watching films.Themed public events at the Cinema will promote the societal
integration of the quarter and public education. A covered
parking garage is to be constructed under the Cinema. The entrance
stairs and ramp leading to the lobby can be used as an amphitheatre for small
outdoors events, and as covered sitting stairs next to the cafe located under
the inclined plane of the Cinema.
The Riga Museum of Film and
Photography occupies a part of a building connected
to the Cinema on the ground, first and second floors.
The National Film School
occupies premises on the third and fourth floor with a separate entrance at
yard level. The proposal intends to use the former Small hall as a filming
pavilion by dismantling the unnecessary constructions.
In the building of the Latvian Academy
of Culture – to provide daylight for as many rooms as possible,
several windows eliminated during reconstructions are to be restored. To ensure the
functionality and accessibility of the Academy building, a new entrance area is
created on yard level, including extensive glazing and an entrance atrium two
levels tall with exposed reinforced concrete structural bearings. This enables
us to show the public a small part of the hidden industrial heritage.
Latvian
creative industries incubator: The proposal
plans to externally insulate the 1985 sand-lime brick building with Eco wool,
using mass-painted EPDM membrane for the facade finish, reinforced with
stainless steel anchors fastened at certain points to the existing structural
frame. The result is an eye-catching,
unusual facade in the spirit of the Creative industries incubator as well as a
well-insulated building.
The proposal plans for a building
complex that makes use of architectural means of expression to unambiguously
communicate the presence of creative industries. Considering the funds invested
in the insulation of building No. 1, the planned reconstruction budget and
the expected users of the buildings, the project proposal aims to create the
visual image and outdoor spaces of the buildings in a way that contradicts the
traditional idea of the reconstruction of historical buildings. The building
volumes suggested in the design proposal are intended to be easily perceptible. Each block of
the creative quarter along with its related outdoor space is intended to have a
monochrome finish. In this way, the colour palette of the
quarter consists of 4 shades which, in visually marking the respective
functions, symbolically communicate their nature.
The public space organisation concept
of the territory continues the architectural solution onto the ground finish
plane of the yard. The facade
shade of individual buildings carries over onto the ground finish of the yard –
in both the granulated rubber pavement and the epoxy paint of paths –
accentuating the unified function of the territory and the building, and
visually directing pedestrian flows. The ground finish of the TABFAB
creative quarter also continues into the pedestrian zone of the street,
visually inviting passers-by into the yard. The shade of the ground finish is also
carried over into fixed wooden benches, combined with plant beds for
evergreens. In addition to fixed benches, the proposal plans for identically
coloured portable outdoor benches which, as they switch places over time, will
tell a visual story about the mixing of various creative functions within the
quarter.
Green spaces constitute an important
element of the public space organisation. The proposal plans for several
plantation groups that work together to create a complex, multi-level green
space: (1) the
cherry orchard of the Academy combines with fixed benches and lighting elements
to provide a visual continuation of the Library volume in the direction of the
Academy, slightly separating the Museum square from the Academy square. The
cherry trees on the red ground finish will stand out in every season, (2) the
apple orchard with its camp-fire site between the Academy and the Incubator
calls back to the current Academy yard in Maskavas district. The territory
around the camp-fire with its portable outdoor benches is intended to host
traditional open-air lectures and events; to be used by both the Academy and
the Incubator. (3) Birch
grove by the Incubator entrance. (4) Evergreens
in the plant beds of the fixed benches. (5) Green
Library roof terrace. (6) Green
Incubator roof terrace. (7) Existing
trees are to be preserved. (8) Green
belts of bushes along the Residence. (9) Green
belts of ivy integrated in the stair system of the Museum.
First floor plan
Second floor plan
Third floor plan
Fourth floor plan
Fifth floor plan
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